A deep respect for the money it loathes…

This tangled root provides inspiration for the best way to improve your writingWord count: 251 words

Reading time: About 1 minute

The best way to improve your writing skills is to emulate the work of others. For this reason I regularly write down sentences I’ve picked up in my own recent reading.

I like cleverness and wit in writing. Perhaps this is the reason I so much enjoy the New Yorker. A recent article, titled “Pilgrim’s Progress,” and written by Sarah Payne Stuart, contains a sentence the illustrates my point. The writer grew up in Concord, MA, a town settled by Puritans in 1635. Concord has been the hometown of people ambivalent about their money, and the author illustrates this with the story of her own real estate purchases. Here is a sentence from that story:

For at the root of the tangled New England neurosis is deep respect for the money it loathes.

So much about this sentence is exceptionally clever. Why do I think that? I like:

  • The way it conjures an image of a large, old-growth tree with a convoluted, snarly root.
  • The words “tangled,” “neurosis,” “deep respect,” and “loathes.”
  • The way the writer uses “neurosis” as a plain fact, without explanation or defense.
  • The alliteration of New England neurosis.
  • The way she compares neurosis to nature — a flip side of personification.
  • The unexpected ending — not the money people love, but the money they loathe.
To my eye, this 18-word sentence is just about perfect. What do you think?

Photo courtesy FreeDigitalPhotos.net

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Posted September 7th, 2012 in Sentence of the week

  • LizWil

    I couldn’t agree more, Daphne. This sentence made me laugh out loud. I especially liked the word “loathes” at the end where I’d expected to read “loves.” It notches up the neurotic-factor. It’s not just the well-chosen words that make me love this sentence, it’s the way the words expose an ambivalence usually left unspoken. Thanks for this post.

    • Daphne Gray-Grant

      So glad you liked it! (I agree that “the way the words expose an ambivalence usually left unspoken” also makes it ever so much richer.)